She says the truth is easier,
With her wild curls and her voice mild,
And you can almost believe her
When she opens her eyes so wide.
The distance is in her hands pressed
Tight and steady in candid prayer,
The echoed tightness of your chest.
She says: the truth is easier.
She says the truth is easier,
With her wild curls pulled to the side.
All you hear and see is color:
Blood nails and lips that cannot hide
On her skin, nor on yours – protest
Dies in your throat and you shiver.
Sometimes, when it is silently professed,
She says, the truth is easier.
She says the truth is easier,
With her wild curls rough and untied.
You swallow her broken whisper
And wonder which one of you lied
Which one knew first, which one confessed
And whether these questions matter.
Love, you and her lain here undressed,
She says the truth, is easier.
'Til we are laid in earth to rest,
She says. The truth is easier
Now that she is your truth. With zest,
She says, the truth is easier.
What I like best is that the fixed form constraint almost doesn't show at all, except for the *rejet* for the sake of the rhyme "The distance is in her hands pressed/Tight and steady in candid prayer". I think this makes the sentence structure sound more French than English...
I love the delicate balance between repetition and variation!
The progression in meaning is also well paved, cumulating with "Now that she is your truth", which makes more sense when we take into account the previous stanzas. I like how you made the other character only half present and almost passive : it can have the very optimistic reading you mentioned, silent adoration, but also a darker interpretation. If she is easier, then could it be cowardice that keeps the protagonist from uttering a word? She speaks a lot, and insisting on a same declaration "the truth is easier" seems to try to convince her lover and herself as well. If she speaks enough or louder than their protests, will it become true?
Truly poetic in that sense
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